Dance The Word
Now as the ark of the LORD came into the City
of David, Michal, Saul’s daughter, looked
through a window and saw
King David
leaping and whirling before the LORD
;
and she despised him in her heart.
                                               
   2 Samuel 6:16

The LORD is my strength and my shield;
My heart trusted in Him, and I am helped;
Therefore
my heart greatly rejoices,
And with my song I will praise Him.
                                                       Psalm 28:7

Who is she who looks forth as the morning,
Fair as the moon,
Clear as the sun,
Awesome as
an army with banners?
                                   Song of Solomon 6:10
Tips For Using Streamers
In Worship
by Sherry Traylor
* Sherry Traylor (dancecampzoe@zcf.org) attends Zoe Christian Fellowship of Whittier, CA where she serves as Dance Director over several ministries. Sherry
has served the Lord in dance for over 20 years. Sherry has been blessed to facilitate dance conferences, and is in the process of writing a book on the ministry of
dance. Sherry offers free dance technique classes at Zoe on Saturdays at 11:00am in Room 53.
The Ultimate Presentation: The Cross
by Sally Reynolds
As we approach the season of Resurrection the pressure is mounting. We as Dance Directors and Fine Arts Directors are now
under the gun. What am I going to do for Resurrection Sunday? The church, the Mothers' Board, saints, members and friends…
everybody is expecting something from us to depict the most sacred time of the year in Christiandom. We search CD after CD,
song after song, artist after artist in hopes of finding the right song to choreograph or dramatize to depict our Lord's Passion. I
wonder if within the struggle and the search we may forget the real essence of this Holy Day. We are celebrating the Death, Burial,
and Resurrection of our Lord Jesus Christ. Our dance and presentations must be filled with Passion, Purpose, and Pageantry. As
He walked up the dusty road to Calvary… suffering for you and I, each step was a depiction of his destiny. His death was
inevitable. Each movement, each character, was part and parcel of his ultimate presentation-- the Cross.

By understanding the terminology, we understand more clearly the reason of our presentation in this most sacred season. By
understanding Purpose, Passion, and Pageantry, and by applying it to Christ at the Cross, this should assist us in our rehearsals,
our choreography, and our dramatizations.

Purpose is vitally important. We have a job to do. We are the visual manifestation of Christ's sacrifice. Our brothers and sisters
must see what Christ endured. We must not miss this golden opportunity to give adequate depictions of our Lord's sufferings.  
Matthew 11:17a states
"we have piped to you and you did not dance." There was an opportunity given for presentation but it was
missed. Dance was to be the proper response to what was occurring but the dancers missed their purpose. As Christ missed not
His purpose but faced it boldly, so must we. In St. John 12:27 Jesus prayed,
"Now my soul is troubled; and what shall I say?
Father, save me from this hour: but for this cause came I unto this hour."

In Christ's Purpose was His Passion. Though anguished in His soul, His spirit cried out, "Not My will but Thine be done." He was
passionately driven to Calvary. Every move, every cadence, every step that Christ made on that dusty road was passion-filled. As
we dance on this great Resurrection Sunday, let us pray as Christ prayed;" Not our will, Father, but thine be done." Let us move
with such precision that all may see our passion for Your glory and for Your resurrection!

The definition of the word Pageantry or Pageant is, according to Merriam Webster, "A colorful, rich, splendid display. A large scale
theatrical production or procession." The term in earlier times denoted religious plays or cycles. Imagine the Pageantry
surrounding the death of Christ. As we read Matthew 29:29-66, imagine the colors, the red blood, the purple bruises, the blackened
swollen eyes, the purple robe thrown over his bloody back, the brown thorns 3 to 5 inches long pressed upon his bloody brow.
Imagine his fatigue as he marched toward Golgotha after being beaten and scourged all night long.

Picture Him carrying His own cross, processing toward that bloody hill. He is so fatigued that Simone the Cyrene had to bear the
weight of His cross because He could no longer bear it. Imagine His screams, His cries as each nail was driven mercilessly
through His flesh, tearing nerve endings asunder. Imagine the Pageantry. Beauty within ugliness. Our theatrical presentations,
dramatizations, and choreography must depict all of this pageantry. We must show what Christ endured for us.

Christ's sacrifice that day was filled with Passion, Purpose, and Pageantry.  In I Corinthians 11:24-25, Paul reminds us to
"Do this
in remembrance of Me (Jesus)."
Yes, this applies to the celebration of communion. However, as we mount the stallion of
responsibility during this Resurrection Season, we do this in remembrance of Him. He danced the dance of death that we may
dance the dance of life, and that more abundantly... And then He rose! Thank God for the Resurrection!
* Sally B. Reynolds (onpointepro@yahoo.com) is the Director of Fine Arts at Covenant Worship Center Ministries which includes Dance Director and
Choreographer of Silent Praise adult dance team.  She also serves as Director and Overseer of 3 youth and young adult dance teams, Majestic Praise
(ages 3-11), MOD Squad (ages 12 and up) and Rakad (ages 14 and above)  She's currently working on launching her new dance company On Pointe
Productions in Spring 2006!
Building A Strong
Dance Vocabulary
“Your hands have made me and fashioned me;
Give me understanding, that I may learn Your commandments."
                                                                                                          Psalm 119:73
Ballet Terminology
Pirouette - [peer-WET]
One of the most famous ballet movements; this is where the dancer spins around on demi-pointe or pointe on one leg.
The other leg can be in various different positions; the standard one being retiré. Others include the leg in attitude, and
grand battement level, second position. They can also finish in arabesque or attitude positions. A pirouette can be en
dehors - turning outwards, starting with both legs in plie, or en dedans - turning inwards.
Conferences & Workshops
April 5th - 9th
Bahamas Palm Sunday Weekend Celebration    
Host: Greater Love Ministries International
Nassau, Bahamas
Registration only $125
Contact Rev. Dr. Agnes Glinton, Pastor    
website:
www.greaterloveministries.homestead.com
email:  greaterlovemin@yahoo.com

April 5th - 8th
"God's Worship Arts Agenda"
National, Multicultural Praise & Worship Conference
Duluth, GA
website:
www.penlightmusicgroup.org

April 15th
4th Annual Dance Conference
Host: Victors In Praise
Loveland Youth Center
142 W. Baseline Rd. - Rialto, CA 92376
For registration or general information, contact:
Linda Davis (909) 261 0739 or (909) 475-8812

June 7th - 11th
East Coast Regional CDF Conference
"Free To Be Me" A Lazarus Experience
Host: Apostle Veronica Smith
website:
www.edcworld.com

July 3rd - 9th
C.C.D.N. 12th Annual Dance Conference
Nassau, Bahamas
e-mail: ccdn@reborn.com

July 7th - 8th
Liturgical Dancers- Spiritual Being Anointed to Move...
Host: Dancers Array "N" Christian Evangelism
Citizens of Zion MBC
12930 N. Lime Ave - Compton, CA
Registration: (310) 639-2826

July 25th - 30th
WORSHIP AND THE WORD 2006
"All To the Glory of God"
Host: Allen Liturgical Dance Ministry
The Greater Allen Cathedral of New York Campus-Plaza
Jamaica, NY
website:
www.allencathedral.org

August 30th - September 3rd
Dancing Preachers International 2006
Nassau, Bahamas
Online registration:
www.sabrinamckenzie.org

October 5th - 8th
Gathering of the Eagles
Columbus, OH
website:
www.pamelarutherford.org
Dance Ministry Events
April 5th @ 7:00pm
"JAM Fest 4"
Featuring: JAMM Performing Arts
CSUN Performing Arts Center (Inside University Student Union)
18111 Nordhoff Street- Northridge, CA
General Admission: $7.00
Info & Tickets (818) 366-8580
e-mail: hopeshouse05@hotmail.com

April 8th @ 5:00pm
"He Reigns"
3rd Annual Praise Dance Concert
New Testament Church
1941 W. Florence Ave. - Los Angeles, CA

April 21st - 22nd
Judah First Fellowship for Dance Ministry Leaders
Mount Up 2006 - The Summit  (Exodus 12:24)
Alhatti Private Christian Resort - Idyllwild, CA

Special Guest: Sabrina McKenzie

For Additional Info Contact:
Stine McDonald- Steps Ordered By God Ministries
e-mail: stepsbygod@sbcglobal.net

April 22nd @ 4:00pm
Sabrina McKenzie Book Signing
Author: Dancing With A Purpose
Word of Life Christian Bookstore
6321 West Blvd. - Los Angeles, CA

April 26th @ 7:30pm
Fusion: A Night of Poetry and Dance
Fuller Theological Seminary - Travis Auditorium
Admission is FREE!

April 28th - 29th
Call to Worship
Cedar Lake Christian Center - Cedartown, GA
Night of Praise on April 28th, beginning at 7:00pm.
All are invited to come and minister in song, dance, poem, mime,
or whatever the Lord would have you share with the His people.

April 29th will start with a FREE clinic at 8:00am.
There will be several different workshop topics.
During this time, Sacred Arts Scholarships will be given
to attend events happening in your area.

Contact CDF East Coast Coordinator-
Apostle Veronica Smith
www.edcworld.com
Dance In The Old Testament
by Lavetta C. Williams    
LaVetta Celise Williams, Dancing Before the King Ministries, teaches & ministers at conferences, workshops, etc on liturgical dance as Destined to Dance. She
is a member of Destiny World Church & the former Dance Director, member of the Nat’l Liturgical Dance Network (one of the founders of the GA Chapter), GA
Dance Commission Sacred Dance Guild & Int’l Christian Dance Fellowship.  LaVetta is currently enrolled in the Gathering of the Eagles Leadership Institute to
become a licensed minister of dance.  She is a mentor to 9 ministries in California, Connecticut, Florida, North Carolina, Georgia, & Texas. She is available to
speak, teach and minister on the Biblical aspect of praise & worship, dance, flags/banners and all that it entails. Contact her at destinedtodance@hotmail.com.
Dance Ministry Resource
Distinguishes between dancing in the church or dancing in God's
presence. This book imparts a higher level of excellence in praise
and worship through the ministry of dance by depositing spiritual
direction incorporated with knowledge of the prophetic, worship,
intercession, standing in warfare and teaching on running with your
pastor's vision.

In this book you will discover that God refines, separates and breaks
those that He chooses and then empowers you to set the captive free.

For ordering instructions, please visit:
Sabrina McKenzie Ministries
http://www.sabrinamckenzie.org/products.htm
Company Keepers - Back Issues:
February 2006
August 2005
June 2005
Company Keepers Staff:
Rekesha Pittman - Editor-in-Chief (Founder- Rain Rein Reign Ministries)
Sherry Traylor - Consulting Editor (Dance Director- Zoe Expressions Dance Ministry)
Grace Schraner - Staff Writer (Dance Leader- Steps on the Rock)
LaVetta C. Williams - Staff Writer (Founder- Dancing Before the King Ministries)
Machelle Lewis - Staff Writer (Assistant - Zoe Expressions Dance Ministry)
Robin Deane - Staff Writer (Dance Leader- Rejoice Adult Dance Ministry & Victory Praise Dancers)
Sally Reynolds - Staff Writer (Fine Arts Director - Covenant Worship Center Inglewood)


Company Keepers
Dance Ministry Monthly
April  2006                                                                                                                                          Vol. 2 No. 4
In This Issue

Tips For Using Streamers

The Ultimate Presentation

Building A Strong
Dance Vocabulary

Event Calendar

Significance of Dance
in the Old Testament

Dance Ministry Resource

There are only a few basic moves that can be done with the streamer:

Circle
The circle is the most basic move. A circle is just what it sounds like, moving the handle of the streamer around in a
circle. It can be done overhead, in front of your body, or to the side of the body.

Figure Eight
The figure eight consists of two circles together. As you complete the first circle, you move immediately into the second.
If, for example, the first circle is clockwise, then the second would be counterclockwise. Again, this can be done
overhead, or in front of your body.

Wave
A wave consists of moving the streamer back and forth rapidly overhead, in front of you. This is usually only done
overhead, as doing it in front of you will cause the streamer to just drag on the ground, and will not look as good.

Weave
A weave is a continuing “S” motion in front of your body. You would start on one side, usually the side away from the
hand holding the streamer, then move the streamer across your body, waving the handle up and down.

Toss
To toss the streamer, make a large circle in front of your body. As your hand comes back up to the vertical, increase
speed, and release the handle of the streamer when it is just above your head. We have to warn you though- this one
takes a lot of practice!

Streamers are usually used individually. They can be held in either hand. However, most people find it easiest to use
the streamer in the hand that they write with. The key to using a streamer effectively is to make large, smooth
movements. With large movements, the streamer will make a smooth, clear loop, following the stick. When most people
start using streamers, they tend to make small, jerky movements. This will cause the streamer to end up getting tangled,
or wrapped around the dancer’s arm.

If you want a real challenge, try using two streamers at once. Although this is difficult, on a fast song, it can be rather
spectacular!  Practice, practice, practice!

Always remember to be aware of the audience when using streamers. Safety is also important, so that we may have
liberty to use them in any setting. Stream on!
Hebrew
Greek

shachah (Strong's #7812)
to depress, i.e prostrate
(especially reflexive, in homage to royalty or God)

Context:  Exodus 34:8
And Moses made haste, and bowed his head
toward the earth, and worshipped.

trecho (Strong's #5143)
to run or walk hastily :-
have course, run

Context: Matthew 28:8
And they departed quickly from the sepulchre with fear
and great joy; and did run to bring His disciples word.
Event Calendar 2006
Last month we were introduced to A New Testament Dance Study, entitled "For This Cause I Bow My Knees" by
Rekesha Pittman, our Editor-in-Chief. This month we will look at the Significance of Dance in The Old Testament. There
must always be a balance in our learning and knowledge (studying), and eventually teaching, for we know that “My
people are ruined because they don't know what's right or true. Because you've turned your back on knowledge, I've
turned my back on you priests” (Hosea 4:6, The Message). We must be accountable for what we know, learn and teach
as children of the Most High God. Study to shew thyself approved unto God, a workman that needeth not to be
ashamed, rightly dividing the word of truth (2 Timothy 2:15 KJV).

My introduction to this Old Testament study is movement. I thought it important to include it as a reference point to show
the history of movement, hence dance. The significance of dance in the Old Testament is based upon movement in
general.

Movement began with God (Genesis 1:2) and ends with God (Revelation 22:9). Genesis 1:2 says….the Spirit of God
moved (hovered) upon the face of the waters. Strong’s (No. 7363) definition for the word movement is the Hebrew word
rachaph, which means to flutter, move or shake. When God’s spirit moved, it wasn’t Him standing still speaking some
boring command for the world’s creation- no- His spirit literally moved in the creation of the universe.

Movement began and will end with God, the originator and creator, Genesis the beginning and Revelation, the end time
to come. Just as movement is vital to us as human beings, it begins and ends with life. Just as in the creation of life from
our Heavenly Father, the creation of life begins when a woman becomes pregnant and the baby is in her womb. The
baby begins to move as it grows. The mother starts feeling the baby’s growth as it begins moving, developing,
stretching… when there is no movement, there is cause for concern. It could be nothing, or it could mean danger, even
death; it could be a sign that there is still life, or perhaps not. As in death, we no longer have movement. Consequently
if we have life, we ought to be moving.

To gain a better understanding and more thorough knowledge of movement, it helps in our knowledge of the meaning
of dance (movement) in the Old Testament. Not only is movement noteworthy, but the whole harmony of praise was
obviously imperative to God. We know from the Bible that music was in heaven and that it was Lucifer’s job (Ezekiel 28).
When satan rebelled against God, it seemed that God missed this glorious sound and wanted His created earthly
beings to experience this in the earth realm. He wanted us to be a sort of replica of the praise due unto Him. He did this
with Adam and Eve’s first-born son Cain and his generation. Jubal was Cain’s great-great-great-great grandson.
Genesis 4:21 says he was the “father of such as handle the harp, and the organ.”

As we move through the Bible and subsequent generations, dance is integrated into the lives of the children of Israel.
Dance is used the first time in Exodus 15:20. Dr. Pamela Rutherford Hardy states in her book,
Make His Praise
Glorious
this law of first mention (page 115b) of dance. The custom at that time was the closest living female relative
was to meet and greet the returning victor after battle. Miriam was the closest female relative to Moses. This dance
represents dance used for the prophetic, victory and warfare. The prophetic song that Moses and the children of Israel
sang in Chapter 15 was done with no rehearsals nor practices for perfection; it was a victory dance in that it was done
after battling with Pharaoh and his army; it was victorious in that God’s chosen people won and were delivered from
Egypt.

The whole 15th chapter of Exodus makes it clear that praise and worship (Exodus 15:2-3), singing (Exodus 15:1), and
dancing (Exodus 15:20) was fundamental to the children of Israel. Many of the Hebrew words for praise are expressed
throughout this chapter:
ealats and tehillah - they were joyfully rejoicing in song and dance after being delivered from
the hand of the enemy;
nathar - they were shaking off the bands of bondage and wickedness that held them captive in
slavery to the Egyptians for many years;
halijkah – a caravan across the Red Sea heading to the Promised Land, are a
few examples.

Below are six different types of dances that were used in the Old Testament, and which are relevant today. There are
many more and I trust that in your study time, you will discover more of these dynamic giftings that our eternal YHWH
has given to us for Kingdom (on earth as it is in Heaven), soul-winning and enemy defeating purposes.

Prophetic Dance is found in 1 Samuel 18:6-7. After King David returned from killing the giant, women came from all
different cities singing and dancing to meet King Saul, declaring through their dances that
"Saul had killed his
thousands, and David his ten thousands."
At this particular time, David had not yet slain ten thousand.

Another type of dance is a
Victory Dance. A biblical example of this is when Jephthah fought in a war against the
Ammonites and the LORD delivered them into his hands.
"And Jephthah came to Mizpeh unto his house, and, behold,
his daughter came out to meet him with timbrels and with dances: and she was his only child; beside her he had neither
son nor daughter."
(Judges 11:30-34). His daughter was his closest living relative and came to greet him with the dance
of victory after the war. This victory dance remains relevant to the church today. As we read almost daily or see on
television, the church is under MAJOR attack. Dancing preachers must maintain their victorious warfare dances for the
deliverance sure to come. Our God has never been defeated!

There is also the
Dance of Travail. Dr. Aimee Kovacs, author of Dancing Into the Anointing states, “The dance of
travail is a dance of faith where we thank God for the answer to our prayer before the answer is visible. In this type of
dance, we proclaim to the principalities of darkness that our God is able to do above and beyond what we ask of Him”
(page 53). In summary, the dance of travail is similar to the warfare dance. However, the dance of travail is a victory
dance by faith. It is a confession or testimony before the manifestation is evident. It is a prevailing prayer as in Jacob
wrestling with the angel until he, Jacob, prevailed. It is not agonizing that brings the promises, but it is believing that God
is and that He is a rewarder of those who diligently seek Him (page 58). The Hebrew word
chuwl or chiyl means to
travail (Isaiah 66:8-11, Jeremiah 30:23, Micah 4:10). The biblical usage of travail means to twist, whirl, dance, writhe,
fear, tremble, travail, be in anguish, be pained. This type of dance could be done today during your struggles. You must
press through, travailing, trying to get to that breaking point. The key is to know that the breaking will come.

Ceremonial Dances in the Old Testament are types of dances that would be done at feasts, such as those in Exodus
12:14 and 23:14. These are the types of dances that are done today at ceremonial events like baby dedications,
funerals, and weddings. I had to minister at a funeral. Although there were many who did not understand initially the joy
in the dance, they soon were overcome with the song selection as it showed that it was a celebration of her life here on
earth. It was also a celebration of her return to her Father in Heaven. There were several people so moved by the
dance that they asked some of us who ministered in dance to pray for them and they got saved.

Dance of Praise. This type of dance is always done, no matter how we feel or when we feel like it. Scripture commands
us to always praise the Lord; therefore it is incumbent upon dance ministers to always praise Him with the gift He has
bestowed upon us. A perfect biblical example of this is King David who states, “
…I will bless the LORD at all times: His
praise shall continually be in my mouth”
(Psalm 34:1). All times is always, forever. This type of praise is relevant
yesterday, today and forever. When I wake up, at home, work, and church, at the gym, etc. I can’t think of a better way
to explain this except to say, PRAISE ALL DAY, ANY WAY, EVERY WAY!

Dance of War. This type of dance is ongoing as well. The key here though is how you come out of the war. Yes, you’ll
be wounded, possibly missing limbs, maybe even blinded, BUT victorious! We are in a spiritual war every single day of
our lives-- satan warring against our Great Jehovah for our very lives, and for those who aren’t saved. We are in
constant conflict with our flesh to do what is right spiritually and morally, battling to do the right thing in our finances, with
our spouses, children, on our jobs, for divine health, deliverance from things that keep us in bondage, etc. God is
always testing us, which is sometimes in itself major warfare to overcome. We then have satan who is always tempting
us, putting obstacles in our way, using areas of our lives where we are weak and in which we struggle (sexually, morally,
physically, etc). This warfare dance is evidenced by powerful tools which we physically possess- our hands and feet!
There are many scriptures that attest to a dancers ability to overcome these challenges using hands and feet (Psalm 18:
32-36, 144:1, Joshua 10:24, 2 Samuel 22:30, and Malachi 4:3). From these scriptures it is apparent that our hands and
feet are of course to always praise our Saviour, but it is also obvious that they are used in the defeating of the enemy
and in deliverance from our weaknesses.

As you can see from the above few examples, dance is and was essential to our Great God. He gave us many examples
to follow but not exactly to the letter of the law in the Old Testament. It is a guide to assist us in our knowledge of
learning to do things correctly as it relates to praise and worship using the dance. If we seek God in our quest to learn
about liturgical dance, then I know He will do as He says in Psalms 32:8.
“I will instruct thee and teach thee in the way
which thou shalt go: I will guide thee with mine eye.”
I conclude that it is why we were created as evidenced in Isaiah 43:
21
“This people have I formed for myself; they shall shew forth my praise,” and evidenced in Revelation 4:11. Therefore,
LET US WORSHIP WITH ABANDON!
"Dance With A Purpose"
We want to support you!
To post conferences, workshops,
or announcements:
E-mail: companykeepers@rainreinreign.com

For dance concerts and events:
Please submit dates for May & June 2006 only.




All submissions must be received by April 25th
for inclusion in the May newsletter.
March 2006
December 2005
October 2005
January 2006
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September 2005
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May 2005